It dawned on me recently that a recurring theme has been popping up all over my photography - windows. I'm not sure what attracts me to these delightful architectural details, but I can venture a guess. I'm a big sucker for symmetry. However boring it may sound, I find it soothing and satisfying when everything is in perfect order. The other thing that really gets me going in a composition is repetition. This could be the source of my love for all things symmetrical. After all, symmetry is about repetition; the same thing happens twice, only the second time it's in reverse. That being said, you can imagine that the following blog sends me into uncontrollable fits of artistic arousal:
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It does occur to me that a camera's viewfinder is also a window in it's own right. Like a window, it is a frame through which you can see a little bit of what exists beyond. As in the theory of painter/printmaker/mathemetician Albrecht Durer (who coincidentally happens to be an ancestor of mine), any kind of composition is comparable to a view seen through a window. Perhaps it's in my blood, but this theory really resonates with me when it comes to photography. My whole philosophy revolves around composition. I try to show the world in ways that it isn't normally percieved, by finding pattern and design where it is easily overlooked and capturing it within the photo's frame to create a composition. The blog 'Patternity' says it all in this quote:
"Treasure what might often go unnoticed, look up when you should be looking down, find beauty in the banal, and stop to wonder when you should be walking past."
Although Emily Bronte still has a home in my 'yet-to-read' list, I am nevertheless aware of the symbolism of windows in her writing, as well as in numerous other pieces of literature and art. Windows represent the barrier between inside and out, and the balance between public and private. This is an issue that grows more and more relevant to me as I continue to maintain this blog. 'Momentum' came in to existence when I caved to the pressure to get more involved in social networking, which is becoming an increasingly important tool for those in creative industries. I had considered starting a blog for some time, but being an incredibly private person, I was always too nervous to go ahead with it. For that reason, you still won't find me anywhere on Twitter, but I'm in the process of working myself up to it. It's interesting that this symbol is so prominenent in my work at a time when I'm struggling to find a balance between public and private, creatively and personally, with the immense influence of the internet and social networking on the world right now.